Plants and animals don't fight the winter; they don't pretend it's not happening and attempt to carry on living the same lives that they lived in the summer. They prepare. They adapt. They perform extraordinary acts of metamorphosis to get them through. Winter is a time of withdrawing from the world, maximising scant resources, carrying out acts of brutal efficiency and vanishing from sight; but that's where the transformation occurs. Winter is not the death of the life cycle, but its crucible.
Aesthetics is concerned with form, shape, composition, expression, and seeing forms AS THEY ARE. Just as the artist is "inspired" and filled with enthusiasm, so too those who SEE are seized with the divine spirit. What is seen is the doxa (glory) of the form, but this glory is the glory of being. Balthasar argues that the mystery in such beauty is the interruption of the eternal into the material in such a way that one can speak of the event of beauty, the entrance of the numinous into this world. To see beauty is to be overcome by the glory that breaks out of this person, this poem, this picture, this flower... We are confronted by the sense of its Otherness.