Mozart's music belongs to all humanity, for the feelings that it expresses are not only his own. Carried to the spiritual elevation that universal symbols require, the symphony is untainted by petty individualism. The music belongs to the world of hope and serenity, not to any particular religion. His work was never a cry but rather a continual revelation. Love, light, and death are one in his music, to such a degree that a single theme sometimes contains all these. Mozart apprehends the human being, their feelings, pain, and hope, then, he leaves us alone in the light, facing the revelation of his own reason for being.
All of us are solitaries: we are born alone through the birth canal into the world and time, and we die alone. No one can enter our interior experience, or its continuum with the outer world we call community. Solitude is the human condition, the universal vocation to be human. It is the willingness, with Love indwelling, to go to the heart of pain to find new life and share it with the world even though you may be separated from it physically. It is from this commitment to be focused through the narrow gate of solitude that self-emptying love is outpoured, and the heart of the community, the heart of its pain, is transformed into the heart of joy.