Pavarotti retains a kind of religious, mystical, commitment to his "work.”And he insists on referring to it as "work,” claiming: "You can always love your work; your profession, at best, you can exercise.”Few people realize that the joyful tenor, the man who is always smiling, is almost a cloistered monk . . .
[Humans became human] by breaking into the daylight of language—whether by good fortune or bad fortune, whether by pure chance, the spark jumping the gap because the gap was narrow enough, or by the touch of God, it is not for me to say here.