Pavarotti retains a kind of religious, mystical, commitment to his "work.”And he insists on referring to it as "work,” claiming: "You can always love your work; your profession, at best, you can exercise.”Few people realize that the joyful tenor, the man who is always smiling, is almost a cloistered monk . . .
and only a few very simple questions: did I love,
finish my task in the world? Learn at least one
of the many names of God? At the intersections,
the boundaries where one life began and another
ended, the jumping-off places between fear and
possibility, at the ragged edges of pain,
did I catch the smallest glimpse of the holy?