As James Maxton cemented and grouted the seven angels, he underwent a spiritual transformation. A diabetic, coming off drugs, James suffered pain and swelling in his feet. He could only work three hours a day. Once every hour, he would limp back to his house and bathe his feet in ice. It wasn't until he completed the icons that James saw the beauty of what he had created. "I got all choked up," he says. "For me it was a spiritual awakening, just looking at them, seeing the people all around looking at the angels, too. I like to say I was reborn in that garden. It was my personal resurrection."
What was extraordinary was that I saw clearly, indisputably, finally, that the child, the grass, the trees, the sky above were all woven of the same material, were all part of the same fabric, which was the fabric of which the universe is made, and that this fabric lived. As pointed contrast, the cement sidewalk lay ugly and dead, a scar in the picture; except for it, the whole scene was transcendent with beauty, the colors had an intensity, a purity not present in "real" life, and the vision was imbued with a feeling of the perfect peace and oneness and benevolence of the universe.