Frederick Franck turned to the door of the building, a massive wooden sculpture in the form of the sun and its rays, and pushed it open.I saw that it turned on a central axis, so that only one half of the door was open at any one time.To remind us, he murmured, that we step into this sacred space as we walk into life, alone and silently . . .I looked around me and marveled at this ninety-year-old man from whose hand had sprung everything I could see.He had carved the door, made the stained-glass windows and every other object in sight.Pacem in Terris, I realized, was one man’s act of artistic faith: a work of art outside the parameters of the art world, and also a religious statement unconfined by any religion.
At first I was surprised that people with the same disease had such very different stories.Later I became deeply moved by these stories, by the people and the meaning they found in their problems, by the unsuspected strengths, the depths of love and devotion, the rich and human tapestry initiated by the pathology I was studying and treating. . .These stories engaged me at another, more hidden point.I too suffer from an illness . . . I listened to human beings who were suffering, and responding to their suffering in ways as unique as their fingerprints.Their stories were inspiring moving, important.In time, the truth in them began to heal me.