Frederick Franck turned to the door of the building, a massive wooden sculpture in the form of the sun and its rays, and pushed it open.I saw that it turned on a central axis, so that only one half of the door was open at any one time.To remind us, he murmured, that we step into this sacred space as we walk into life, alone and silently . . .I looked around me and marveled at this ninety-year-old man from whose hand had sprung everything I could see.He had carved the door, made the stained-glass windows and every other object in sight.Pacem in Terris, I realized, was one man’s act of artistic faith: a work of art outside the parameters of the art world, and also a religious statement unconfined by any religion.
Culture has a way of giving us ladders when we need trees, reason when we need myth, and separateness when we need unity. In the music of the universe, there is harmony. The discord, the non-harmonious, is slowly drifting back in to the misty domains of our lost games. Ritual is being restored to rite. With a higher sense of the rhythms of the planet, we can recognize the emerging vision of grace. A grace to honor, not befowl, our Mother. A grace to honor each other as end products of diverse cultural journeys. A grace to become the kind of human that can embody the spiritual. A grace to blend into all that is, was, and shall be.