I started to compose the opening of "Fos" (light) and I had the idea of a string trio playing in the distance which would represent the soul yearning for God. The choir represented God in uncreated energies. This yearning choir is played by the string trio which is cut off by the joy/sorrow chord by the choir singing the word "Fos," light, light, light, light, light -- until it becomes an expanded light separated from all yet united to all, and moving straight into the second section, Doxa: symbolizing the glory of that Light filling everything with light.
The imagination is one of every thing in the universe as a song of praise ... the world as symphony. If one note in a musical composition is played off-key, the whole composition is off. If a musician decides to go his or her own way in the middle of a symphony in order to express freedom, the free play of the whole is destroyed. On the other hand, musicians find true freedom when their individuality harmonizes with the whole.