I started to compose the opening of "Fos" (light) and I had the idea of a string trio playing in the distance which would represent the soul yearning for God. The choir represented God in uncreated energies. This yearning choir is played by the string trio which is cut off by the joy/sorrow chord by the choir singing the word "Fos," light, light, light, light, light -- until it becomes an expanded light separated from all yet united to all, and moving straight into the second section, Doxa: symbolizing the glory of that Light filling everything with light.
The world is full of implicit religion, and the inspired saints and poets, who say that the birds "praise God" when they sing, are in no way mistaken. Because it is their tiny life itself which sings the "great life" and makes heard, through its countless variations, the same news which is as old as the world and as new as the day: "Life lives and vibrates in me." What homage to the source of life is expressed by these small streams of life: the birds which sing!"