I started to compose the opening of "Fos" (light) and I had the idea of a string trio playing in the distance which would represent the soul yearning for God. The choir represented God in uncreated energies. This yearning choir is played by the string trio which is cut off by the joy/sorrow chord by the choir singing the word "Fos," light, light, light, light, light -- until it becomes an expanded light separated from all yet united to all, and moving straight into the second section, Doxa: symbolizing the glory of that Light filling everything with light.
Nothing prepared me for what I saw. I realized that the young voice was coming from 83-year-old Jonas, who was singing the "Sanctus" by Beethoven, with a beauty that could not be explained. It was like the Soul of all life summoning each spirit who listened: Here! Here is the sound of all that is true. Hear the sound of the Love to which you belong. That afternoon I learned that Jonas had been sent to Siberia as a young man because of that voice. Because of the remarkable gift he had been sent to build roads and live in obscurity. Now he was an elderly man, but the voice had never aged. Truly, it existed apart from any space and time.