I started to compose the opening of "Fos" (light) and I had the idea of a string trio playing in the distance which would represent the soul yearning for God. The choir represented God in uncreated energies. This yearning choir is played by the string trio which is cut off by the joy/sorrow chord by the choir singing the word "Fos," light, light, light, light, light -- until it becomes an expanded light separated from all yet united to all, and moving straight into the second section, Doxa: symbolizing the glory of that Light filling everything with light.
I was walking in the open air on a beautiful spring morning. The wheat was growing green, the birds were singing, the dew was sparkling, the smoke rising; a transfiguring light lay over everything; this was only a tiny fragment of Earth – and yet the idea seemed to me not only beautiful, but also so true and obvious that she was an Angel – an Angel so sumptuous, so fresh, so like a flower and at the same time so firm and so composed, who was moving through the sky.