To the medieval thinker beauty was not a value independent of others, but rather the radiance of truth, the splendor of ontological perfection, and that quality of things which reflects their origin in God. Light and luminous objects, no less than musical consonance, conveyed an insight into the perfection of the cosmos, and a divination of the Creator.
Hope locates itself in the premises that we don't know what will happen and that in the spaciousness of uncertainty is room to act...Hope is an embrace of the unknown and the unknowable.