I am one of a new breed, a hospital musician. Last week a doctor who had come out of a difficult eight-hour surgery heard the piano and stopped to rest. He said the aria I was playing from Bach's Goldenberg Variations revived him by reminding him of the larger picture. He said he felt more accepting of the outcome of the operation he'd performed. The man who'd received a new kidney said, "Beethoven's Ninth Symphony reminded me how much I want to live, how much I love life. After listening to the music I was able to pray again."
'The poets must give us
imagination of peace, to oust the intense, familiar
imagination of disaster. Peace, not only
the absence of war.'
But peace, like a poem,
is not there ahead of itself,
can't be imagined before it is made,
can't be known except
in the words of its making,
grammar of justice,
syntax of mutual aid.
A feeling towards it,
dimly sensing a rhythm, is all we have
until we begin to utter its metaphors,
learning them as we speak.
A line of peace might appear
if we restructured the sentence our lives are making,
revoked its reaffirmation of profit and power,
questioned our needs, allowed
long pauses. . .
A cadence of peace might balance its weight
on that different fulcrum; peace, a presence,
an energy field more intense than war,
might pulse then,
stanza by stanza into the world,
each act of living
one of its words, each word
a vibration of light—facets
of the forming crystal.