My daughter, three years old and fearless, loves nothing more than wading along the shallow shoreline outside our house. Holding hands, we walk barefoot upstream quietly in the water, stepping delicately over stones. Besides the water sounds, there is just immense silence. We stop and listen to the water. She asked me for a story; I did not have one. Listening, she turned in delight and announced, "Daddy, this water is talking." In listening to the river a kind of silence prevails, broken only by the rush of water over rocks. Such a silence is more like faint echoes, each a series of dim reverberations. They continue in you, distant yet familiar.
As I was listening I thought about being in conversation with God, and I was struck by how much this piece of music mirrors my relationship with God. When I first began conversing with God, it was very simple, like the opening of the Fugue. In reply, God did not repeat my melody but responded in a harmonic way, just as Bach's instruments do. Over time, our conversation — the Divine's and mine — has built in richness, complexity, depth and beauty, like the fugue builds. Ebb and flow occur in the dynamics of both the music and my conversation with God, but my soul is constantly stirred by the heatbreaking beauty of what I hear and what I know.