Her 1ife, which had been a series of pious works, had cloaked her in a kind of transparent whiteness. And in growing old she had acquired a kind of beauty of goodness. What had been thinness in her youth, was in her maturity a transparency, and this ethereal quality permitted glimmers of the angel dancing within.
On a sould discovery journey in the desert, our group included Miguel Gruntlein, who had studied the Peruvian flute. Early each morning I would hear Miguel somehwere near the camp playing the most serene song to gree the dawn with the same haunting tune; as we moved camp, the tune changed. When asked, Miguel said he was playing the songs of the canyon. Each place has its own song and reflects a unique facet of his soul that comes alive in the particular wild place he visits, a conversation between Miguel and the wild.