As I was listening I thought about being in conversation with God, and I was struck by how much this piece of music mirrors my relationship with God. When I first began conversing with God, it was very simple, like the opening of the Fugue. In reply, God did not repeat my melody but responded in a harmonic way, just as Bach's instruments do. Over time, our conversation — the Divine's and mine — has built in richness, complexity, depth and beauty, like the fugue builds. Ebb and flow occur in the dynamics of both the music and my conversation with God, but my soul is constantly stirred by the heatbreaking beauty of what I hear and what I know.
Silence receives too little appreciation, silence being a higher, rarer thing than sound. Silence implies inner riches, and a savouring of impressions. Babies value this too. They lie silent, and one can suppose them asleep but look closer, and with eyes wide open they are sparkling like jewels in the dark. Silence is beyond many of us, and hardly taken into account as one of life's favours. It can be sacred. Its implications are unstatable. It has a superiority that makes the interruption of the spoken word crude, rendering small what was infinite.