The world is full of implicit religion, and the inspired saints and poets, who say that the birds "praise God" when they sing, are in no way mistaken. Because it is their tiny life itself which sings the "great life" and makes heard, through its countless variations, the same news which is as old as the world and as new as the day: "Life lives and vibrates in me." What homage to the source of life is expressed by these small streams of life: the birds which sing!"
Mozart's music belongs to all humanity, for the feelings that it expresses are not only his own. Carried to the spiritual elevation that universal symbols require, the symphony is untainted by petty individualism. The music belongs to the world of hope and serenity, not to any particular religion. His work was never a cry but rather a continual revelation. Love, light, and death are one in his music, to such a degree that a single theme sometimes contains all these. Mozart apprehends the human being, their feelings, pain, and hope, then, he leaves us alone in the light, facing the revelation of his own reason for being.