Essentially neuter, silence, like light or love, requires a medium to give it meaning, takes on the color of its host, adapts easily to our fears and needs. Quite apart from whether we seek or shun it, silences orchestrate the music of our days... If it's true that all symphonies end in silence, it's equally true that they begin there as well. Silence, after all, both buries and births us, and just as life without the counterweight of mortality would mean nothing, so silence alone, by offering itself as the eternal Other, makes music possible.
In a sense great music exists for the sake of its pauses; for instance, the pauses that occur in the middle of a Beethoven symphony. These pauses are of course quite unlike bits of ordinary silence, because the whole symphony has led up to them — they are held and defined, and the music goes on the other side of them. Such pauses are silence charged with meaning. Music transcends music by producing charged silence.