The world of violins and flutes, of horns and cellos, of fugues, scherzos and gavottes, obeyed laws which were so clear that all music seemed to speak of God. My body was not listening, it was praying. My spirit no longer had bounds, and if tears came to my eyes, I did not feel them running down because they were outside me. I wept with gratitude every time the orchestra began to sing. A world of sounds for a blind man, what sudden grace! The inner world made concrete.
Every artistic creation is an attempt to recover something of the original sense of order, of right proportion. Our capacity for wonder, for awe, our sense of the magical and the sacred, has its source here—in what we can call a state of grace, equilibrium. I suppose that what we refer to as sacred is so because of some primal relation between ourselves and the world. We feel that a part of our being is hallowed or blessed by this, that some acts of ours enhance this feeling, while others violate it.