The first three notes -- the root, the fifth, and the minor third -- seemed entirely magical. In their simplicity he heard the implication of the whole piece itself, and from that, from his awareness of the fugue, came an awareness of all-of-music, as if all notes were contained in any single note. The perception was evanescent, but so powerful as to wipe away thoughts of himself. Music is here! Music has been here forever and always will be here! It was so much larger than life, so ineluctable strong, so potent an indicator of a kind of heaven on earth, that all else was swept before it. He saw this in a flash. In a nanosecond.
I was recently rereading the writings of Martin Luther King, Jr., and I understood once again that the whole movement was based on love--love that doesn't exclude anybody. . . when you take that view and you begin to live by it, something begins to shift very dramatically and you begin to see things in a different way. You begin to have the clarity to see injustice happening, but you can also see that injustice, by its very definition, is harming everybody involved. It's harming the people who are being oppressed or abused, and it's harming those who are oppressing and abusing.