The first three notes -- the root, the fifth, and the minor third -- seemed entirely magical. In their simplicity he heard the implication of the whole piece itself, and from that, from his awareness of the fugue, came an awareness of all-of-music, as if all notes were contained in any single note. The perception was evanescent, but so powerful as to wipe away thoughts of himself. Music is here! Music has been here forever and always will be here! It was so much larger than life, so ineluctable strong, so potent an indicator of a kind of heaven on earth, that all else was swept before it. He saw this in a flash. In a nanosecond.
Conversation was never begun at once, nor in a hurried manner. No one was quick with a question, no matter how important, and no one was pressed for an answer. A pause giving time for thought was the truly courteous way of beginning and conducting a conversation. Silence was meaningful with the Lakota, and their granting a space of silence to the speech-makers and their own moment of silence before talking was done in the practice of true politeness, listening, and regard for the rule, "thought comes before speech."