Though a world of increasing deafness shattered Beethoven's dreams of success in the outer world of society, it also caused him to turn within. And while human relationships came and went, Beethoven was discovering God, the eternal companion. This reorientation of his soul may well be the primary reason for the higher level of composition in his second period creations ... stemming from a fundamental need to express through music new and deeper worlds of soul-experience. Whereas before he composed for himself, in his second period, Beethoven was consciously striving to become the musical servant of God.
In the midst of the tintinnabulation and hurly-burly I see a silence overflowing with absence of all but Thee and me. I seek an interior place of listening to the divine where even the unspoken, but thought, words of prayer shatter silence.