Though a world of increasing deafness shattered Beethoven's dreams of success in the outer world of society, it also caused him to turn within. And while human relationships came and went, Beethoven was discovering God, the eternal companion. This reorientation of his soul may well be the primary reason for the higher level of composition in his second period creations ... stemming from a fundamental need to express through music new and deeper worlds of soul-experience. Whereas before he composed for himself, in his second period, Beethoven was consciously striving to become the musical servant of God.
You know, O my God, I have never desired anything but to love You, I am ambitious for no other glory. Your love has gone before me, and it has grown with me, and now it is an abyss whose depths I cannot fathom. Love attracts love and my love leaps toward yours; it would like to fill the abyss which attracts it, but alas; it is not even a drop of dew lost in the ocean! For me to love You as You love me, I would have to borrow your own Love.