Prayer begins in us the restoration of the divine image, in all its hiddenness and wonder. It brings us closer to the "region of likeness" and every prayer is an act of letting the old self go. It involves "dying". The grain of wheat falls into the ground and dies. Dead, it is destined to bear much fruit.
All through her life, nature had been for Madeleva "beauty's self and beauty's giver." Through it, the divine revealed itself in natural ephiphanies:
Can I not find you in all winds that blow,
In the wild loneliness of lark and plover,
In slender shadow trees upon the snow?
This poem suggests that her prayers had gone beyond words; apparently, only silence could express them. If simplicity, in prayer as in life, is a sign of maturing sanctity, then Madeleva's inner life would seem to have deepened through the years.