Dr. Eaglefield Hull describes Scriabin's attitude to music: His first symphony is a "Hymn to Art" and joins hands with Beethoven's Ninth. His third, the "Divine Poem", expresses the spirit's liberation from its earthly trammels and the consequent free expression of purified personality; while his "Poem of Ecstasy" voices the highest of all joys -- that of creative work. He held that in the artists' incessant creative activity, the constant progression towards the ideal, the spirit alone truly lives.
Perhaps nothing would be said at first, but eventually a sound, a poem, an artwork or an impression would spark an exchange, and there would be a clear flow of meditative, constructive thought. Periodic silences would follow, to which we both listened almost as if the quiet were a third party speaking to us. And in response to that stillness we would breathe deeply, come to a sort of relaxed attention, and in a humble, reverent manner lower our eyes, as though acknowledging the mystical presence of something greater.