Dr. Eaglefield Hull describes Scriabin's attitude to music: His first symphony is a "Hymn to Art" and joins hands with Beethoven's Ninth. His third, the "Divine Poem", expresses the spirit's liberation from its earthly trammels and the consequent free expression of purified personality; while his "Poem of Ecstasy" voices the highest of all joys -- that of creative work. He held that in the artists' incessant creative activity, the constant progression towards the ideal, the spirit alone truly lives.
The worship of the Great Mystery was silent, solitary, free from all self-seeking. It was silent because all speech is of necessity feeble and imperfect ... it was solitary, because the people believed that the Great Spirit is nearer to us in solitude, and that no one was authorized to come between an individual and the Creator. Among us, all were conscious of their divinity.