The parallelism of the psalms is a key to praying them. Just as the rhythm of music invites us to join in a dance, the rhythm of the psalms invites us to join in a dance, the rhythm of the psalms invites us to step into them with our whole self ... Repetition in prayer is a way of holding God in remembrance. The images of such prayer lodge deep within us and surface at other periods of our life. When we move quickly from one idea to another, it is difficult to let any one thought sink in and deepen within us. By quietly reiterating a theme or image, a psalm calms our restless hearts and gently leads us into a prayerful attitude.
Late that afternoon I listened to Thomas Tallis's SPEM IN ALIUM, a motet written in the 16th century for forty voice, forty separate parts... I was sitting in my chair looking at Ma's photograph as I listened. At once, as the music began, the photograph started to emit great waves of Light. The Light possessed my mind and body, and I heard the music not without me but within my heart.
Her voice: In my stillness all the voices of the world rise in ecstasy. In my silence all the voices of the world are reconciled.
Each voice in the sublime motet sang in perfectly lucid ecstatic harmony with every other voice, forming endlessly changing transforming masses of illumined ripe sound.
In the new creation souls will sing together like this.
I heard spiral after spiral of ascending glorious sound rise calmly, with a passion at once detached and supremely intense, from its bed of Silence, rise, commingle in bliss, and finally culminate in the vast prolonged cry of Light on Light at the end of the work, a cry that does not end but seems to reverberate throughout the cosmos forever.